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Опции This product has multiple variants. The options may be chosen on the product page

Basis Brushing Small Четка за коса, комбинирана

SKU: 1458
8.80лв. / 4.50
Опции This product has multiple variants. The options may be chosen on the product page

Basis Brushing Small Четка за коса, метални бодли

SKU: 1470
7.04лв. / 3.60
Опции This product has multiple variants. The options may be chosen on the product page

Basis Figaro Styling Medium Четка за коса

SKU: 1467
6.06лв. / 3.10
Опции This product has multiple variants. The options may be chosen on the product page

Basis Styling Small Четка за коса, пластмасови бодли

SKU: 1468
6.06лв. / 3.10
Опции This product has multiple variants. The options may be chosen on the product page

Четка за коса TRISA Brushing Large, метални бодли с връх

SKU: 1454
14.86лв. / 7.60
Опции This product has multiple variants. The options may be chosen on the product page

Четка за коса TRISA Care & Straightening

SKU: 1453
12.13лв. / 6.20
Опции This product has multiple variants. The options may be chosen on the product page

Четка за коса малка метална fashion бис. 02

SKU: 1402
12.13лв. / 6.20

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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.